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Born
in posh Monaco, Catherine Ferroyer-Blanchard grows up surrounded by jewelleries,
casinos and diadems.. |
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| Fascinated by republics
and palaces since her childhood, she ends up settling in Paris in 1999. |
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Paris
welcomes her warmly: from cocktails to art openings, her je-ne-sais-quoi
scores. She eventually imposes her style and influence by creating Wendy
Magazine. |
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| Unaware of the fact that it was going to change her life, she meets Comité Central in 2004, during a theatre play premiere. | |
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Utterly impressed by
her presence, her charisma and her earrings, he immediately decides to write her a song. |
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| C'est Bien Trop Tard, off-the-wall pop anthem about frustration, despair and ageing, hits home straight away. | |
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Immediately signed by
Mort Aux Jeunes Records, she records hit after hit: Me And Madonna, Chanson
d'Amour, Je Ne Suis Rien and, lately, Rentrer Chez Moi Seules, a duet
with her dear friend LzMry. |
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| Since then, tsunami-like
success has hit the young singer: from Pulp to Paris Paris, she attracts huge crowds for hysterical shows. |
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Currently locked in a
studio, she prepares a huge tour to promote her first single tape: Chanson d'Amour. |
CATHERINE ON STAGE
Me
And Madonna [Clap-Clap Laz-Laz Remix] Mort aux Jeunes #9 [feat. Justice] Le Pulp, April 21 2006 |
Chanson d'Amour
Pop Not Pop Le Paris Paris, October 19 2006 |
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